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Short fiction, 2026
Forthcoming in the Energy edition of PLATYPUS

¨Emotion buzzed round the man’s face like a vulture arriving at a carcass already picked clean.¨

Short fiction, 2025
Published and translated into Spanish for Canal #4: Dark Rooms.

¨I wondered if I would do it too. I waited to feel myself tick. I waited for the inevitable feeling, the one that comes when you open the door to death and suddenly it takes your hand, and then you’re walking towards the ring road like its the most obvious choice in the world. It doesn’t come, so instead I sit in my swivel chair and imagine Helen’s last moments, her dire circumstance, when she realised that only actions count in this world.¨

Visuals, 30:00, 2025
Cordova Gala, Barcelona (07/12)

Manifesto, 2025/2017
Republished in Love & Lightning: A Collection of Queer and Feminist Manifestos by Valiz and Girls Like Us.

¨The Strange-Girl accords to the language of this necessary dogmatism, as a reaction to the stagnation of the Young-Girl and the increasing frustration of girls. The Young-Girl wants us to believe there is nothing new (settle down and accept your fate). Tiqqun state emphatically that this is not true. The Strange-Girl acts with the full force of this knowledge: embedded in her body is the promise of lightning.¨

Co-editor & producer, 2025

Featuring new texts and their translations into English/Spanish by Lisa Robertson, Huw Lemmey, Itziar Ziga, Tosia Leniarska, Fer Boyd, Mona Khaled Abdel Baky, Madeleine Stack, and Inès Yahiaoui Houviez. Launched on Resonance fm.

Short film, 12:00, 2025
Screened at New Farm Cinema, Meanjin

¨Can you feel the short fuse of this form?¨

Feature film, 131:00, 2025
Screened at Wreckers, Meanjin (10/10).
Exhibited at Cordova, Barcelona in Matiné (25/06-15/08, VOSE)

¨The without you in it is no world.¨

Short fiction, audio, 2025

Written and recorded for Huw Lemmey’s The Protagonist of the Erotic, Extra Extra radio.

¨A girl in a white t-shirt, bikini underneath still sopping from the sea, enters the plaça and swipes a wallet from one of the tables. Just as I long for surprise, I want always the festivity of stealing. Either objects or glances, both hold the same ambrosial weight.¨

Experimental text, 2025

Written for the launch of SOS SS26 collection by Samara Scott, Barcelona.

¨The wet medusa of last night’s pleasure roughly had,
Grinning in my oilslick palace, flotsam pubis.¨

Performance, 2024
Sant Andreu Contemporani, Font del Gat, Barcelona

¨The continued fiction of our existence was proven again and again. It refused to be erased. The way that refusal can shape the day; the way that we can experience, momentarily, the other possibilities that await us—we train ourselves, make it last longer every time.¨

Sculptural installation and sound work, 2024

Exhibition at MACBA, Barcelona, part of Lydia Ourahmane’s 108 Days / 108 Días

Short fiction, 2023
Winner of The Space Crone Prize for speculative and short science fiction awarded by Silver Press and The Ursula K. Le Guin Literary Trust. Published by Granta.

¨When we fucked, language blistered. The silvering of our shared aura broke a sweat that slid down to our heels. We flared the same colour, as our hearts jumped out of our chests. We briefly swapped them, something I had never done before. Afterwards, I thought of their heart often, wanting to feel it heavy inside my chest again. My identity has always been in flux, gathering pace, gaining, losing . . . But it was in their shifting skin that I first recognised both myself and the world.¨

Guard the Delight / Guarda el Deleite

Performance, sculptural installation and sound score, 2023

CLUBS; Art a la pista, Barcelona, curated by Cory John Scozzari.

Performance, 2023

Forma, London

Fiction and poetry collection, 2023

Collaborative book with Madeleine Stack and Rebecca Close, published by Canal.

Short fiction collection, 2022 (fourth printing 2026)

Published by Canal. UK Launch Tour at The Horse Hospital, London; Eastside Projects, Birmingham; Good Press and Women's Art Library, Glasgow.

¨Frot the World plays lavishly serious games that wobble and swirl in daring fictions of ecstatic invention¨
— Penny Goring